Post by Teddy Bear on Dec 22, 2006 19:11:01 GMT
Surprise surprise, the BBC is so out of touch they don't even know where to buy originality.
Originality is old hat as the BBC spins off its top series
Adam Sherwin, Media Correspondent
It is a recipe borrowed from Hollywood that promises to spice up the ratings: take one hit show, add a sprinkling of reheated characters, reset the time zone and serve up as fresh entertainment.
As television audiences fragment to the many new digital channels, the BBC regards its hit series as “brands” to be exploited with sequels, prequels and spin-offs.
Making a blockbuster series is not cheap: Doctor Who, for example, cost £15 million to produce and market, and its likely success was tested out on focus groups before it was aired.
So when the show succeeded the BBC decided to tap into its huge fan base to launch Torchwood, featuring a team of supernatural investigators based in Cardiff. It attracted a large audience on BBC Three and has been repeated on BBC Two as a ready-made hit.
Now Doctor Who has led to a second spin-off, which has also been created by Russell T Davies, the writer who revived the sci-fi classic in 2005.
Nostalgic fans will welcome back Sarah Jane Smith, who first appeared as Jon Pertwee’s assistant in 1973. Again played by Elisabeth Sladen, the investigative reporter is the star of The Sarah Jane Adventures.
In a New Year’s Day special on BBC One, Smith uncovers the truth behind Bubbleshock, a strangely addictive organic drink that is taking the world by storm but has sinister side-effects. A ten-part series will follow, aimed at children.
The Torchwood formula has prompted a similar experiment with Spooks, the BBC One drama. Rogue Spooks will feature young MI5 recruits. The next show to give audiences a sense of déjà vu will be Life on Mars, which stars John Simm as Sam Tyler, a detective who is catapulted back to 1973 after a road accident.
BBC One has commissioned a sequel starring Philip Glenister, who plays hard-drinking Detective Chief Inspector Gene Hunt. Provisionally titled Ashes to Ashes, the action picks up the characters in 1981, for a series that the BBC calls “More Miami Vice than The Sweeney”.
The BBC said that it was not betraying its obligation to provide new drama. Julian Bellamy, the BBC Three controller, said: “To launch a series with the scale and ambition of Torchwood or Rogue Spooks, it makes sense to draw on a known brand with a loyal audience. But it doesn’t mean that we aren’t seeking entirely new titles.”
Spin-off fever is far from over. Hotel Babylon, the series on BBC One based on the novel by Imogen Edwards-Jones, is expected to lead to further behind-the-scenes dramas set in the airline and fashion industries. Comedy is not immune. Only Fools and Horses is too big a brand to lie fallow and John Sullivan, the creator, has deposited the popular character Boycie in the sequel The Green, Green Grass. Now he is preparing a prequel, Once Upon a Time in Peckham, which will chart the formative days of Del Boy.
The BBC said that the rash of spin-offs had not prevented the launch of new dramas, such as The Street, by Jimmy McGovern, and Waterloo Road, which is set in a school.
Play it again
The Thin Man (1934) was the first film to exploit the spin-off, spawning The Thin Man Returns and The Thin Man Goes Home
The Godfather, Part II (1974) was the first sequel to win a Best Picture Oscar
George Lucas took 40% of about $9bn earned from Star Wars merchandise
Pirates of the Caribbean 2 and 3 were filmed back-to-back to cash in on the success of the 2003 original
After the author Colin Dexter killed off Inspector Morse, ITV promoted his sidekick, Kevin Whateley, for the spin-off series Lewis
Torchwood, a spin-off from Doctor Who starring John Barrowman and Eve Myles, below, was launched on BBC Three in October, drawing 2.4m viewers
Sources: boxofficeguru, Internet Movie Database